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Harley Quin by Paul Dini & Dan Kramer REVIEW
Harley Quinn: "You won't believe this, but I'm here completely under duress." (Page 16) In Paul Dini's story for Detective Comics #831, Bruce Wayne keeps voting against Harleen Quinzel's parole at hearings to decide if she is fit to rejoin society. She is rooming at the Arkham Asylum, which is the Wal-Mart where Batman writers seem to shop exclusively for villains. Though failing to get release, Quinzel is soon kidnapped by a stooge working for ventriloquist dummy Mr. Scarface, forced to escape under protest, saying as she is shoved out the doors "This is not going to look good on my next review!" Quinzel is knocked out and delivered to the wooden-headed crimelord, where we discover he is working with a new "dummy" who is a well-dressed woman called "Sugar." Now a foursome, this little gang is preparing for a heist to intercept cash being transferred by a local mob to a money laundering location. They also happen to have the Harley Quinn jokeresque outfit handy, too, and Quinzel is quickly back into her tight red and black outfit.
REFORMING HARLEY QUINN Using phone calls to tip off the Gotham police, Harley Quinn tries to play both sides, keeping up a pretense while Mr. Scarface's heist goes through its steps, but also trying to maneuver that the whole caper to end in a climatic showdown with Batman and the cops. Which of course it does. Dini's story is a well-done super story, he seems to consistently deliver a logical and thought-out tale when working on the Bat comics I have seen. The emotions seem general and even cliché, but at least they're human, or something like it, which I cannot say for all DC Comics product. BRUCE WAYNE'S GRIN On other pages, head shapes change from panel to panel, and eyes and noses seem to float loosely. Particularly awkward are panels in which a foreground head is looking at a mid ground scene. The eyes often seem to be gazing out into some other place, or positioned in an anatomically odd location. Kramer's art is actually good in other places, and he certainly has down Harley Quinn's body shape when in motion. In those panels, there is a looseness and liveliness. [Below] Poking fun at Detective Comics #831 And at the end of this tale, Wayne changed his vote and Harley is let go free. But Wayne/Batman does not realize that at the beginning of the tale poor ol'Quinzel is plagued by a tiny hallucinatory Harley Quinn figure that taunts her and advices her. Is she another split-personality? Is there enough room in Gotham for another one? Enlarge the page images below by clicking.
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